Filed under performance calendar

The Glut Is Coming

I’ve got an exciting weekend ahead of me.

Tonight, I am performing in the Emotions Dance Company Presents Excerpts show at the Orlando Fringe Festival on the free outdoor stage at 8pm. You can stick around and check out the second Fringe Poetry Smackdown at 10pm also at the outdoor stage. You can find all the info about the Orlando Fringe Festival here.

Tomorrow night, there’s this

Prepare for the smackdown.

Tickets are still on presale for $7. Get yours here.

Last night, I finished my story for Burrow Press’s 15 Views of Orlando. I’ve never done anything like this before so this should be incredibly fun and exciting. I can’t wait to see how it all turns out. My installment goes up on June 16.

June is turning into one of those months where several different pieces are coming out. I hope y’all don’t get sick of me.

I’m going to start taking myself more out of my comfort zone. Let’s see where this is gonna go.

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Climbing A Mountain, Not Your Mom

Jason Behrends, all around awesome Chicago literary human, captured me reading “Just Do It” at Cinco De Awesome. Bask in the awkward silence.

Burrow Press was nice enough to let me do a recap about my experience in May’s The Encyclopedia Show. You can check that out here.

The next ten days are going to be crazy busy over here.

I’ll be in three out of the four shows Emotions Dance is putting on at the Fringe Festival. The show’s called Excerpts, showcasing their best work over the last year. I’m performing “Primer” and “Would You Like To Take A Survey?” while professional dancers dance to my words (and someone else’s music). You can catch me Friday at 9:30 pm, May 26 & May 28 at 8:00 pm at the free outdoor stage. Check out more details about the 20th Orlando Fringe Festival here.

May 29, there’s this.

Prepare for the smackdown.

Four literary heavy hitters, three celebrity judges, this is going to be a night you will never, ever forget. And the presale tickets are cheap ($5!). Click on the pic to get some.

June is looking to be a good month over here. I’ve got A Patchwork of Room Furnished by Mistakes coming out through deckfight press. What I am incredibly proud of is that my 10,000 word story was accepted by HOUSEFIRE and should be out digitally in June and later as a limited edition chapbook. It’s called Bodies Made of Smoke.

I’ve written semi-long form fiction before (here’s an example) but nothing like this. I’m not known for my planning with fiction. I leap head first and and ride the wave and see what happens. My only plan of attack was to write 500 words a day, four days out of the week to knock each section out. If I wrote more that day, I did it. But the goal was 500 words a day, four days a week. I also unpacked the story around a single concept and saw how that went. There were days where I was all “fuck you story” but I slapped myself out of it and continued writing (listening to Das Racist was also a huge help on those low days). The final result was incredibly rewarding and I hope you think so too when it comes out.

We Will Celebrate Our Failures has stalled. I’m not jaded or miserable enough to write more stories that involve breaking up people and I’m not willing to do something emotionally self-destructive to make myself miserable. I may compile what I have as a chapbook and see if it can win a contest or something. What I do have though is enough meat for a short story collection version of The Internet Is A Dangerous Place To Live. Between the 10k story and some others, I can shop around my first short story collection.

I’m pissed at Bon Iver for not coming to Orlando. Seriously, if The National and LCD Soundsystem could make it down here, so can you. The fact that their new song is gorgeous makes me angrier. My theory is that our governor (referred to as Governor Skeletor) is scaring all of this awesome music away with this Skeletorness. All this great new music this year, and no one wants to come to Florida. Fuck.

See you Friday, Orlando.

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That Poem Should’ve Received a 19, Not a 23

Last night, I watched the grand slam of what used to be one of my favorite slam venues in the United States thanks to the power of the Internet and I have to say I wasn’t impressed at all. Often, I found myself applauding the judges for giving low scores because the poems actually deserved them. I almost got into a Twitter flame war with another poet because I felt the content overall was underwhelming and didn’t move me. I would expect a younger venue or a venue from a different city to fall back on tried and true slam topics (meta, political, sexual/physical identity) delivered in that “no shit, this is bad” way that I’ve seen countless amounts of times but not this one. With the exception of hearing two love poems that used entomology in one and Psylocke in the other (both by one poet), everything else was just there. I saw a slam, there were scores, four people were picked to be on a slam team.

Ryan Rivas got the videos up really quick from There Will Be Words #1 and they look great. You should watch them here. Also, we are taking submissions for the September 13 show, which you can read more about here.

I have three pieces of flash fiction in this month’s issue of Connotation Press, along with a video of me reading one of them and an interview. Thanks to Meg Tuite for putting this awesomeness together. You can check out my contribution here. After, go read the rest of the fiction.

This Friday, I’ll be at the Outdoor stage of Orlando’s Fringe Festival for Emotions Dance Company’s Excerpts Show. Read more about it here.

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So I’m 32 Now

Last night, Cinco de Awesome was awesome. Packed room, great readers, even sold a copy of The Serial Rapist Sitting Behind You is a Robot. It was one of the best readings I’ve ever been a part of. Later, Ben Tanzer interviewed me for his podcast outside of a bar in Wicker Park. Hopefully, it’ll be up on Sunday. Mason Johnson also said some nice things about Thursday’s Encyclopedia Show and Cinco de Awesome.

It is official, I will be in Orlando’s first ever Literary Death Match on May 29, pitted against Ryan Rivas, Gregory Sherl, and Ashley Inguanta. This is a tremendous step in the right direction of the literary health of Orlando. If you click on the link, you’ll see more details about the show and ticket prices.

This upcoming Tuesday is the first ever edition of There Will Be Words and the Orlando Weekly picked it as a Selection of the Week. It’s free to get in but there will be a limited edition chapbook for sale, where the proceeds will go to the readers and Burrow Press.

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Did The Truth Win?

At last night’s The Encyclopedia Show, the truth took a bath.

What a bloodbath.

I’ve listened to The Encyclopedia Show since 2008 and in any show, there are moments that make you go eh. This was not one of those shows. I’m writing a much more detailed piece about The Encyclopedia Show for Burrow Press but I had to let y’all know now this was a really good show. If you live in Chicago or near Chicago, you need to go to this show. If you’ve gone, go every month.

Tonight is Cinco de Awesome. You should be there. We will cross the streams.

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This Will Be A Birthday Celebration

For my birthday next Friday, I am finally getting what I’ve wanted since it came out in 2008 on May 4. I get a bonus gift on May 5. And then there’s this little thing I’m starting on May 10 (and the first of this kind in Orlando on May 29). I would like you to come out to all of these shows, depending on the city that you live in.

Compared to last year, I’m in a much better place artistically, emotionally, and professionally. 31 was interesting. I can’t wait to see what year 32 will bring.

Amber Sparks, the fiction editor of Emprise Review and a terrific writer, was kind enough to blurb my upcoming chapbook coming out this June through Deckfight PressA Patchwork of Rooms Furnished by Mistakes:

Often funny, often fervent, sometimes very much both, the poems in A Patchwork of Rooms Furnished by Mistakes will whisper the breath out of you and shout your conscience clean. Poet J. Bradley writes of “the scoliosis of Greyhound buses” and the “ventriloquism of Steven Hawking” in spare yet jarring tones, rich in their strangeness yet plainly familiar in feeling. The name of this collection is entirely fitting, as Bradley spends his time here twisting meaning, inverting the language of bodies and selves, and building a new set of sounds to furnish the rooms these poems occupy. No mistakes here, though; just well-crafted, light-as-ghosts poetry that will make your brain work overtime and your tongue long to wrap itself around these words.

I finished my 10,000 word story for HOUSEFIRE. I will be making edits to it and then turning it in by May 15. If they accept it, you’ll see it in June. Keep your fingers crossed, boys and girls.

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Everyone Comes To A Funeral

Thursday was the last Broken Speech Grand Slam ever. We had a great mix of poets in the last show, some new, some veterans, four previous Grand Slam champions (including myself) and somehow, I won the whole fucking thing.

My approach to our last show was to do well enough to perform in every single round (the format was 10 poets, cut to seven poets, cut to four poets, scores were reset to zero after each round). The draw was kind to me for the first (sixth) and that allowed me to get a feel for the judges. My first poem, “Quadriplegic“, got a 26.8, putting me at the end of the first round at sixth place, just good enough to move on. The second round I did a new poem that I wrote after talking to my ex-wife for the first time in person since the divorce hearing called “No More Merlot”, got a 28.9, putting me in third place at the end of the round, just good enough to make the final round. Before going onto the last round, I was hemming and hawing about doing a poem I had a hard time re-memorizing and fucking it up during rehearsals and almost did a poem from Dodging Traffic but I stuck to my guns and did “solving the circumference of simile” for the first time since 2006 and get a 29.7, putting me at first with two poets left. The poet that came after, Ronin, decided to go punk rock on everyone and do a poem that gave him a 4.5 point time penalty. The last poet, Curtis Meyer, did a signature poem that I knew was going to get a 30 as long as he didn’t go over time. I damn near collapsed when he went over time.

I took the stage one more time to say a lot of things, to plug nights around town, to look at what I’ve done, what I’m walking away from, and where I’m going. I never received so much love in my life from so many people and I cried. All the emotions that weren’t there hit me all at once. It was a proper send off to the end of a decade of running a poetry slam.

Brian Feldman, performance artist extraordinaire, took this photo. I'm taking the stage after the results were announced and clearly starting to cry.

Next month, shows are a comin’. Click the links for more details.

May 4 – The Encyclopedia Show (Chicago, IL)

May 5 – Cinco de Awesome (Chicago, IL)

May 10 – There Will Be Words #1 (Orlando, FL)

May 20, 26, and 28 – Excerpts (Orlando Fringe Festival)

Hippocampus Magazine put out a teaser for their first issue coming out May 1, which you can check out here.

Wufniks published the sexiest (and only) Easter poem I’ve ever written here.

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You Are Invited

I got my official invite to the May 4 edition of The Encyclopedia Show, but not my assignment. I know how busy these folks are so it will come all in due time. The fact I got the official invitation though makes me incredibly psyched.

I’ve had problems lately with people trying to book a feature at my soon-to-be-dead poetry slam who essentially aren’t doing their research. Here’s an e-mail from one of these folks as an example:

Hello,

I am writing this email to request some information about booking a feature for [redacted] to perform at The Fuze in the near future. I curious in regards to how soon can a show be booked, how much is payment (if any), and how is travel handled? Please get back to me with any information you have; it will be much appreciated.
Two things:
  1. My venue has a name, and The Fuze is not it. Calling the venue you are trying to perform at by the wrong name is like calling your sex partner the wrong name in the middle of fucking. The Fuze is a venue in Philadelphia, PA. My venue, Stardust Video & Coffee is in Orlando, FL. Major geography fail.
  2. My website tells you that April 21 is our last ever slam. If this person had read that information, they would have saved the two minutes it took to write this e-mail. It goes back to the original point: do your homework before booking a performance at a venue.
I went to UCF’s MFA reading tonight at the Kerouac House and while it was packed and engaging, it was full of peers instead of a mix of peers and strangers. I would think that celebrating a major accomplishment such as getting an MFA would be promoted better or at least placed in a larger, more comfortable venue, but that’s just me. I picked up a writer for the September edition of There Will Be Words and had a couple of glasses of wine so it was a productive evening.
Red Lightbulbs, a new literary magazine based out of Chicago, was nice enough to pick up a poem of mine for their first issue, which you can read here. Orange Alert was also nice enough to pick up the audio version, which you can hear here. Orange Alert is one of my all time favorite podcasts and if you haven’t jumped on board yet, you damn well should.
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These Are Projects

I’m 20% into my 10,000 word story for HOUSEFIRE and it’s going in an interesting direction. To make it easier on myself, I’m writing it in small chunks. I can’t wait to see what the finished project will look like.

I’m going to be a part of Eleven, which needs your help to get off the ground. Included so far in the first issue will be Mel Bosworth, Robert Kloss, Eric Shaw, Craig Terlson, Helen Vitoria, and other fine, talented folks. Click here for all the details of the project and how you can help bring it to life.

May 5 in Chicago will be Cinco de Awesome at Quimby’s, where I’ll be reading with Ben Tanzer, James Tadd Adcox, and Brandon Will. All the details are here.

Thunderclap Press was nice enough to publish one of my poems for their Poem Per Day segment that they’re doing for National Poetry Month. You can read it here.

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Off The Grid

My evil genius of a girlfriend evicted me from the Internet this past weekend. It was strange to be so disconnected from everything, except the occasional checking of e-mail. I’ve finally got my bearings back. I already miss 1406.

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The second prettiest view in the room.

One month until I go to Chicago. So far I have two shows, which I’ll formally announce by the end of the week. Last year this time, I was in Chicago. I just came back from my reading at Quimby’s, sat in a chair, drank a beer, and wondered what was going wrong with everything. It’s amazing what a difference a year makes.

My ex-wife and I are working together one last time in running the final slam. She was the host for four years and our best host. I can’t imagine any one else helping me put on this Viking funeral.

I’ve learned a lot from all my failures, what I lost, what I gained. I understand more than ever everything happens for a reason.

I made this last Thursday as a promo for Thunderclap 5 at Logan International Airport before my twelve hour ordeal began in getting home. I hope it finds you well.

 

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