Filed under performances

The Jesus Year Begins

Hours before my mini-tour in Portland, I became a grownup in the animated version of Peanuts; every word out of my mouth was a broken trumpet note. I blamed my girlfriend (she works with children, my immune system isn’t used to it). I begged for solutions on Facebook. I almost cancelled.

I’m a tough bastard. I facilitated several training classes at work while suffering gout. I had my right foot pinned beneath the back tire of a coworker’s car while getting into the backseat. Throat problems, laryngitis especially, are my kryptonite. My voice is one of the few things I can actually say is sexy.

On both planes flying to Portland, I slept, conserving my voice. When I got to Backspace to wait for Eirean Bradley to grab me and take me to his place, I talked as little as possible. The first person I met was Housefire staff member, Robert Duncan Grey, while waiting for my host. I hated that I couldn’t talk to him.

Eirean rescued me on two accounts, first to where I would stay for the next few days, second because of the Safeway in his neighborhood, which had Throat Coat tea and honey. I drank it as soon as I could. A sliver of my voice came back.

My first show was that night at Broetry. Broetry, run by The Sparrow Ghost Collective, is best described as a poetry kegger. It’s BYOB and BYOP. There was some tremendous energy in that room, and I got to hear Ansel Appleton, who I haven’t heard perform in a very long time, and also Stephen Meads, who I last heard perform at the 2009 National Poetry Slam. After alternating between drinking water and gargling with apple vinegar, I finally did my set, How Esmeralda Estrus Got Her Revenge and they were incredibly receptive. I powered through my feature, drank more water, gargled with more apple vinegar.

Friday was my first non-show day so I found a theatre and watched The Avengers. It was better than Thor but not as exciting as I thought it was going to be. Whedon is very good with dialogue and group dynamic work but there was something lacking overall. I wasn’t geeked like I was with Iron Man or Captain America when I first saw them. Go see it, but see it during the day and not in 3D. After, I went to the food truck corral over on Hawthorne & 12th, the corral that was featured in a Portlandia skit. It was the most touristy thing I did the entire time I was out there. When I got back to the house, there was a small gathering of friends, and one of those friends was Mike McGee, someone else I haven’t seen since 2009. It was a great way to end the day.

Saturday, I spent drinking more Throat Coat, talking as little as possible, and finishing up Game of Thrones (which I’m now into), and finally watching Inglorious Bastards in its entirety. Eventually, Robyn Bateman (resident of the house I was in) and I went over to the Whiskey Soda Lounge where Eirean Bradley and L.R. Dalby joined us. Britt Shosak eventually came by and we (Brit, Eirean, Robyn, and I) went to a sports bar, where we watched one of the most amazing Fear Factoresque game shows called Total Blackout. Words can’t describe how amazing this show is so I’ve included a clip below.

Sunday, I met the Housefire crew in phases. Phase I was Riley Michael Parker, who took me out to lunch. We had an excellent conversation about our projects that we were working on. Phase II was meeting Riley, Lindsey Ruoff, and Robert Duncan Grey at the Rialto to talk about Bodies Made of Smoke and how to make the ending solid. Then, I ran over to Backspace to get myself ready for the Portland Poetry Slam.

The Portland Poetry Slam is the most unique slam I’ve ever watched. Rather than use the traditional format of selecting judges (3 or 5) and allowing those individuals to score poems, the entire audience is the judge. Two people perform a poem each and then after both perform, the audience decides who moves on to the next round. According to Eirean, the idea is to not only keep the entire audience engaged during the competition, but also to encourage poets to bring an entourage (more people = more money made at the door). After the open mic, I did my feature, which consisted of:

  1. Would You Like To Take A Survey?
  2. These Are Vows
  3. Quadriplegic
  4. The Genealogy of Irvine Welsh
  5. A Letter From A Former Flightless Bird
  6. The Ten Chambers of Feng Jong

I couldn’t have asked for a better audience.

My smores slice of pie. It was the closest thing I could get to a birthday cake.

After my feature, I watched the slam and after watching the slam in action, I liked the audience as judges format far better than the scoring component. In a scored slam, someone of the caliber like Stephen Meads and Mike McGee (who were in the slam that night), would have most likely killed while the rest of the field would have fought for third place. This format though, no one is safe, no one is sacred, all the things you know about poetry slam are wrong. I watched Mike McGee lose in the semi-final round to the eventual winner, who also beat Stephen Meads in the final round. If I was to do a poetry slam again, I would use the Portland Poetry Slam’s format. It takes out the headache of finding judges, takes away the segregation of the audience, and it really keeps them engaged the entire time.

Monday was my final off day and on that day, I had breakfast with an ex-girlfriend and I went to the flagship Powell’s Books. One word: damn. While there, I picked up Jess Stoner’s I Have Blinded Myself While Writing This and Loren Erdrich and Sierra Nelson’s I Take Back The Sponge Cake. Thanks to the return flights, I’ve read through both. Both of these books are amazing, concept and content. I don’t want to spoil the surprises of both books but I will say buy them now and you’ll understand why there are no spoiler alerts here. After the pilgrimage to Powell’s, I got back to the Shire Haus and played a pick up game of Magic: the Gathering, which I haven’t played since 1995.

What’s an infect deck?

Somehow, I won, which was surprising and awesome.

Eventually, I made my way to Monday Funday, a large gathering of Portlandians in a public park.

I experienced Portland’s normal weather coming in and the weather that Portlandians celebrate when they get it: plenty of sunlight, little to no clouds, no rain. I watched 200 people play dodgeball on a tennis court. I made it on base a couple of times in a pick up kickball game. A kickball punched the right side of my ribcage when I tried making it to second. There’s something beautiful about watching so many people treat good weather like a national holiday.

Tuesday, I repacked my bag, tried hosting the one year anniversary of There Will Be Words from my iPod Touch, then cell phone (didn’t work out). Eventually, I made my way over to the Blue Monk for Smalldoggies Reading Series #20, my final show, which I read

  1. “We Will Celebrate Our Failures”
  2. “The New Year”
  3. “Expo ’86″
  4. “Tiny Vessels”
  5. “We Looked Like Giants”

Here’s what I learned on this mini-tour

  • Laryngitis is not the end of the world if you treat your voice right.
  • Get over the weirdness of becoming the oldest person in the room.
  • Mexican food, the price of well drinks remains consistent no matter where you go.
  • Your work doesn’t always sell itself. This one I’m struggling with the most because while I perform well in venues, I have a hard time influencing people to buy my merch and I think that might be because of my likability. I’ll admit to being a bit standoffish before a show and that’s because I’m getting myself in the zone. This is something I’ll be working on this upcoming year.
  • Salt Lake City has one of the most gorgeous airports I have ever been in. Mormons know how to design. Too bad they don’t know how to run the federal government.
  • In an ideal world, if Tegan and Sara had sex with The Black Keys, their children would be talented. I saw this was proven so wrong during the Smalldoggies reading.
  • Portland trusts their public transportation users a little too much.
  • Magic: the Gathering hasn’t changed a whole lot since I played it.
  • When someone who works as a director of coffee operations shows you where the best latte is made, they are on point.
  • The fastest way to get into a relationship is to book yourself a mini-tour in a far off place in advance.

I’m looking forward to returning to Portland when my next collection comes out. You are a fine city, Portland. Thank you for having me. Thank you to everyone who came to my shows. Thank you for letting me turn 33 in your city.

My mark left in the Shire Haus.

And here’s where you can see my contribution to the really cool PocketESCs project.

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The Portlandia Invasion Begins

This week, I fly out to Portland for the first time and I’ll be doing three shows while I’m out there. I assure you that no setlist will be the same so you will be handsomely rewarded if you come to one, two, or all three of my shows. And here we go.

Thursday, May 3 @ 9 pm – Broetry Night at The Treehouse – this is an open mic house show that is free but donations are accepted for the feature (which I would appreciate the food or booze money)

Sunday, May 6 @ 8 pm - Portland Poetry Slam at Backspace – my first slam feature since 2010 and my 33rd birthday. I might be doing the Sharpening the Pen workshop beforehand, which would also be cool.

Tuesday, May 8 @ 8 pm – Small Doggies Readings Series at Blue Monk - surprise! I’m featuring here, but will (hopefully) be able to host the best of There Will Be Words on Skype (since I’ll be three hours in the past at the same time).

Between those dates, I’ll be hanging out, working on the novel (almost 39k by the way), seeing The Avengers, and doing other adventurous stuff. See you soon.

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The Ken Burns of Failed Relationships

Once, I Was An Angry Penguin, is now available for you to check out over at NAP Magazine. Below is the video feature for it. Enjoy.

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Everything Means Everything

My girlfriend and I went to the UCF’s Spring MFA reading last night. Each of these readings from my experience are never in the same place. The first one I went to last year was at the Kerouac house. Last fall, it was over at Stardust Video & Coffee. Last night, it was at this pizza place over on Lee Road. Before we left, I had this gut feeling that we should have stayed away and gone to one of our favorite restaurants for dinner instead but I wanted to be supportive and potentially book some talent for There Will Be Words.

Our night began with our server forgetting small things, like plates and napkins for our garlic knots, then silverware for our salad. Then the patrons who were not affiliated with the MFA reading would not shut up while the graduates read (this included the kitchen staff and servers). The sound system, to be used for karaoke, was tinny and not able to overpower the conversations. Then, when someone spilled their drink, we could smell the mold coming from the mop. I’m surprised we weren’t food poisoned. We heard maybe half of what everyone read.

MFA graduate readings should be special occasions. The work read has been battle tested in the editing and defense process, the outcome of which shared among friends, family, faculty, and strangers with literary tastes. It should be treated as a major event not just in the university community, but the city’s literary community. Last night was memorable because of all of the elements combined that made the whole event a clusterfuck, not because of the work read.

I get the sense that while MFA programs help writers with their pagecraft, it does nothing for their stagecraft. There should be courses on how to present your work in public, how to organize a reading, whether it is one reading or a series. Until you get famous, you have to learn how to connect with people face to face to better sell yourself, and that’s part of the larger scope of being a writer. People don’t just want to read your work, but see you and hear you read your work. I think had those skill sets been added in the coursework, the MFA graduates who organized the reading would have done a much better job in venue choice, sound system choice, presentation of their work. Such courses would be helpful even for undergraduate English majors. It’s probably one of the things I’m actually comfortable teaching because I’ve organized shows for 11 years, performed for 14 years.

The release party for We Will Celebrate Our Failures went extremely well. All of the readers contributed something amazing and heartbreaking, whether it was funny or serious. Sip is a terrific venue and I will use them again and would recommend others in the literary community to use them to host shows. It is a hidden gem of a venue. The video is taking forever to post online due to my DSL being atrocious, but I will include me reading the title story live at the show.

I got my contributors copies from Durable Goods. They are tiny and cool. See?

I also have two poems in the latest issue of UP, which you can read here.

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Atlanta, I Have Missed You

I’m finally home from my trip, despite my cab driver being a total asshole. I needed this trip as a mini-recharge and it did what it was supposed to quite well.

Laura Straub with Vouched Books Atlanta knows how to put together a reading. Friday’s reading was one of the best readings I’ve ever had the pleasure to participate in, and I was lucky enough to capture everyone on video.

I opened first with a piece called “On Writing ‘How An Autobot Sunk The Titanic’”, meta fan fiction that I’ve only performed once live and that was in April 2010 in Normal, IL. I was going to also read a poem after but I forgot I deleted most of my e-chaps (doh!) from my iPod Touch. You can watch it below.

Next came Tyler Gobble from the Over the Top Tour

Closing the first set was Melysa Martinez, Creative Loafing Atlanta’s sex columnist

After the intermission, Christopher Newgent, the Vouched Books founder, started the second set

Next came Amy McDaniel

Brian Oliu was next

Closing out the night was Matt Bell. Note, there was also a wedding reception going on at the same time of the reading. See if you can hear the Journey in the background of Matt’s reading.

I crashed at Matt DeBenedicits‘ house, the chief of Safety Third Enterprises. Thanks to him and his lovely wife, Jennifer, I got caught up on Breaking Bad and had a great time (and finally got to meet the amazing designer Brian Manley and his wife, who is on the cover of The Serial Rapist Sitting Behind You is a Robot). Overall, great trip. Can’t wait to go back.

In release news, my five story collection It Smells Like Plastic And Hurt Feelings is available through KUBOA Books. You can get the free e-book version over at Smashwords here.

The genesis of the Jesus Christ, Boy Detective concept is live at red lightbulbs, which you can read over here.

We Will Celebrate Our Failures got its first review, which you can check out here. If you are in Orlando, you should come to the official release party, which the details are available here.

Once, I Was An Angry Penguin comes out on April 23 as an e-chap through NAP. Here’s the cover for it. Can’t wait for y’all to read it.

Off to write some more for the novel and to edit Bodies Made of Smoke. Enjoy your Monday.

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Obligatory Post 2012 AWP Post

I’m sitting in my living room for the first time since Tuesday night and already, I hate the silence, that I lack wine and a store in which to get wine at this time of night.

My second year at AWP was good overall, partially because AWP was in one of my favorite cities (Chicago) and partially because I get to hang out with writers I’ve met and meet writers/editors I work with through the Internet and I met quite a few folks, including my bosses over at NAP and Specter Magazine. I also didn’t get to see some folks based on my schedule and budget at the conference and I hope to see them sooner rather than later.

What I dislike about AWP is that you don’t get what you pay for from an official perspective. You pay for AWP to gain access to the panels and the book fair. During the one and only panel I attended, I liveblogged about the concept of panels. I almost went into another panel about building literary communities on a dime then removed myself from it because I’ve done that in Orlando for eleven years and didn’t need to be lectured on it by strangers. Other than those panels, I didn’t go to any others while I was there. If you’ve seen a lecture based panel, you’ve seen them all. The book fair is my favorite part of the conference because you get to network with so many presses from all over the country. It’s just a shame that for all the money you pay to go, you only get a tote bag. If I could pay a book fair only pass fee, I would gladly. Next year, I will find a way a table at the fair and/or actually make a panel but approach the panel concept from a fresh perspective.

For the first time, I co-hosted an offsite reading with Lindsay Hunter, a combination of Quickies and There Will Be Words called There Will Be Quickies and it was a blast working with her and Mary Hamilton. Most of the offsite readings are meat markets, shoving a lot of readers in your face and this format can be very hit-or-miss depending on your readers and your venue. The Quickies rules unmercifully make writers stick to a four minute time limit. Failure to adhere to this time limit gets you whistled off the stage. It was quite the breath of fresh air. I’m already planning another offsite show for 2013, hopefully working with Burrow Press, Specter Magazine, and NAP in putting it together, just not in the Quickies style.

I was in three offsite readings this year and I read fiction only, two stories from the latest collection (available through here), and then one as my Teen Paranormal Romance Novelist persona, J. J. Curry Ford. All of the readings were great and even though I got to read with Chloe Caldwell, Joseph Riippi, JA Tyler, and Daniel Nester, the Happy Dog Mom Lit Journal Reading was my favorite because it was incredibly talented writers so self-aware at what bad writing really is, all of that bad writing really shined.

Another big highlight was catching Amelia Gray and John Jodzio on Saturday, John especially. He’s twisted, brilliant, funny, and a wonderful reminder literary fiction doesn’t have to be all serious and full of dead babies and broken marriages, dying leaves falling everywhere.

I miss you all already.

The novel is now over 26,000 words. Holy shit.

I’m doing this deal where you can get three chapbooks from me for $17 while supplies last. The chapbooks are The Serial Rapist Sitting Behind You is a RobotHow Esmeralda Estrus Got Her Revenge, and We Will Celebrate Our Failures. They all come signed and I might treat you to a bonus or two. PayPal the cash over to senryujournalist at gmail dot com and I’ll get it right out to you.

This Saturday, I’ll be here. You should come see me.

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Watching Every Breath You Take Is Boring

I just got back from participating in a fantastic edition of Culture & Cocktails. My fellow readers, Whitney Hamrick, Jocelyn Bartkevicius, and Nick Brown, killed it in various ways (I booked Nick for There Will Be Words in the future). I opened the night up with a set of all poems. Here they are.

  1. Hunt & Gather
  2. These Are Vows
  3. Quadriplegic
  4. Enrolling In the Human League
  5. Every Girl Is The End Of The World For You And Me

Ashley Inguanta did a tremendous job with the booking and it was a great, great event. If you’re in Orlando or will be in Orlando, go. The next one is on March 9.

Tomorrow, February 11, is my love poem workshop Our Hearts Are Power Ballads. Starts at 11 am. Bring your favorite love poem or lyrics to your favorite love song, paper, something to write with, and an open mind. It’s free. Hope to see you there, Orlando.

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Some Last Minute Shameless Promotion

Tomorrow, February 10, I’ll be performing here at 6pm $5 gets you in the venue and a glass of wine or beer. Pretty sweet deal.

Saturday, February 11, I am teaching here. Make sure to bring your favorite love poem or lyrics to your favorite love song, something to write with and something to write on.

Tuesday, February 14, There Will Be Words #10, which the Orlando Weekly picked as one of its Selections of the Week.

Here is where you can relive or finally experience the first of many 15 Views of Orlando release parties.

This is me reading “Enrolling In The Human League”, which is in the first issue of the Heavy Feather Review, which if you haven’t bought yet, you should. It’s a damn fine issue.

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You’re No Bruce Vilanch

It took me a week, but I’m finally, finally used to my new glasses.

Upgrade complete.

My eyes were a little worse this time and I found out from the optometrist that I have astigmatism in my left eyes. I would like to thank my parents for the faulty genetics (and a tank like immune system) . It’s been awhile since I’ve returned to the heavy framed nerd look but I fell in love with these frames when I saw them. Once it got the girlfriend seal of approval, these were meant for me.

This week is a busy one for me. Here’s the rundown where you can find me and listen to me read, talk, drink.

This Friday I’m part of Maitland Poets & Writers Culture & Cocktails reading series over at Germaine Marvel building: Maitland Art Center 231 W. Packwood Ave., Maitland. $5 gets you admission and a glass of wine or a beer (which is a sweet deal). Doors at 6. Readings are at 7pm. I’m reading with Kirsten Holt, Jocelyn Bartkevicius, and Nicholas Brown.

This Saturday from 11 am to 1 pm, there’s this

This will be a lot of fun. Just to let you know, I’m not the lecture type. This will be a discussion that requires active participation. You’ll be expected to take a little risk, which is required to write any love poem.

Also, we’ve got There Will Be Words on Valentine’s Day, a great place for a first or last date.

A big thank you goes out to the incredibly talented editor/writer Simon Jacobs for being the first to take advantage of my special, which I will now shamelessly plug on my own.

For $20, you get an autographed copy of Dodging TrafficThe Serial Rapist Sitting Behind You is a Robot, and How Esmeralda Estrus Got Her Revenge and an original poem e-mailed to you. For $15, you get EsmeraldaRapist, a mystery gift and an original poem e-mailed to you. Either way, you can wire the money over to senryujournalist at gmail dot com. All proceeds go to keeping me well stocked in Vitamin Jameson in Chicago, or to cure my terminal illness of sobriety, depending how you want to take it.

Finally, the fine folk at The Rusty Nail published five of my poems, which you can check out here.

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This Is For Fighting, This Is For Fun

Ronald Stowers was nice enough to record my poem during the slam I was in this past Tuesday. You can watch “The Genealogy of Irvine Welsh” below.

I’ve been working on my longest project yet and I don’t really have a deadline for it, taking it 500 or so words at a time. The current word count for it is about 15,540. Unlike some of the fiction I’ve written, I’m not mining anything from my life and surrounding it with out there concepts. I’ll be glad when I get the first draft done and start combing through it.

The project I’m currently working on spun out of a flash piece called From Jesus Christ, Boy Detective: Everything Must Be Slashed and WordPlaySound was nice enough to pick up the audio version (while red lightblubs picked up the text version). You can listen to it here and then I recommend listening to the rest of this podcast.

My boss over at PANK, Roxane Gay, wrote this incredible article about running her micropress Tiny Hardcore. Read it. You’ll learn a thing or fifteen.

I won’t even talk about the bullshit shut out of Drive. I enjoyed the book tremendously and am actually not mad how the movie revised the story to a degree. The movie is gorgeous and one of the few movies I have bought on the day it comes out on DVD. (There Will Be Blood is the other).

Next week starts a deluge of shows. Here they are, linked for your pleasure.

January 31 - 15 Views of Orlando Release Party

February 10 – Culture & Cocktails

February 11 – Our Hearts Are Power Ballads (Workshop on writing love poems)

February 14 – There Will Be Words #10

(All but the February 10th show is free)

Finally, you’ve got until January 30 to vote for the best of the first year of There Will Be Words. You can vote here.

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