I’ve Been Making Money Off My Indifference

Work has lately kicked my ass. However, I’ve hit the 30,000 word count mark on my Jesus Christ, Boy Detective novel and my teen paranormal romance novella (2,500 ish) this week. For me, writing fiction helps get the stress out. I have no problem coming home from a 9-11 hour day, sitting down in front of my computer and just going to town. It’s part of why I don’t believe in writer’s block. It’s also helpful that I’m writing constantly but it’s a different mindset when writing instructional design material and designing e-learnings. I’m starting to learn more about Adobe Captivate and I’m looking forward to what I can do with it in a work setting and even in a creative setting.

The constant work though, I do make some sacrifices to do it. My house could be cleaner, I won’t lie. I do tidy up when I need to, but often when I come home from a long day at work, I’d rather write than clean. This is also why I need interns or a MacArthur grant so I can have someone do that for me so I can concentrate on writing (if someone who has control to grant me either/or is listening).

I’ve got three flash pieces in the latest issue of Short, Fast, and Deadly, which you can check out here.

Two weeks from this Friday, I will be doing this.

This is probably the most epic reading I’ve been in thus far in my indie lit career. And the fine folks over at Vouched are helping you to get to know me better through their infamous Awful Interviews, which you can check out here.

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Excuse Me While I Try To Break My Own Heart

I read “Reflections” last Saturday at LOL – Life Out Loud and it was a lot of fun (except for the strep throat I got later that night. I’m better now). You can watch me read it below.

I recovered just in time to read at There Will Be Madness, the first ever fiction slam at There Will Be Words. I tapped into my old friend TSRSBYIAR in the first two rounds, reading “Primer” and “Just Do It” but lost in the final round to Trevor Fraser after reading “Quality Control” from my latest chapbook, We Will Celebrate Our Failures. It was a lot of fun and am looking forward to doing this fiction slam format again next year.

My novella is coming out soon through HOUSEFIRE and the fine folks sent me a screen cap of the book trailer for Bodies Made of Smoke and it made me smile because it is from part of the book. If you read it while it was available online, you might recognize this.

Burn, baby, burn

Finally, Part 1 of Everything Will Be Ok is up. It was one of those rare AWP readings that had less than ten authors (and delicious meat smells). You can go listen to it here.

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Like A Blister In The Sun

I broke off a professional relationship earlier this week and I almost blogged about the specifics until I stepped back for a moment and recognized it was not the adult thing to do. I instead e-mailed this person why I would no longer work with them, handling the situation directly like an adult. Like any relationship, once you recognize it has become disproportional where you give and give and give and do not receive the same energy and attention, you have to walk away. I might work with them again if they are willing to repair things but until them, I’ve got bigger and better things to do like:

I’m putting together a release party for my NAP chap, We Will Celebrate Our Failures and the line up is so killer so far. I’ll release more details as I get it together, but if you want to check out the Facebook invite, go here.

I have a five story collection coming out through KUBOA on March 31 called It Smells Like Plastic And Hurt Feelings and I’m excited about this, the progression of my fiction collections getting longer and longer. The novel is coming along slow but would love to get a full short story collection out before then.

This week has been kind to me. The fine folks over at The Eggshell Parade read this poem on their radio show, I was featured on InDigest Magazine’s Poem of the Day Podcast15 Views of Orlando got a really good review over at Saw Palm, and I’ve got three new flash pieces up at Untoward, which you can check out here.

Tomorrow, if you are in the Tampa/Ybor City area, check me out reading some non-fiction here.

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Obligatory Post 2012 AWP Post

I’m sitting in my living room for the first time since Tuesday night and already, I hate the silence, that I lack wine and a store in which to get wine at this time of night.

My second year at AWP was good overall, partially because AWP was in one of my favorite cities (Chicago) and partially because I get to hang out with writers I’ve met and meet writers/editors I work with through the Internet and I met quite a few folks, including my bosses over at NAP and Specter Magazine. I also didn’t get to see some folks based on my schedule and budget at the conference and I hope to see them sooner rather than later.

What I dislike about AWP is that you don’t get what you pay for from an official perspective. You pay for AWP to gain access to the panels and the book fair. During the one and only panel I attended, I liveblogged about the concept of panels. I almost went into another panel about building literary communities on a dime then removed myself from it because I’ve done that in Orlando for eleven years and didn’t need to be lectured on it by strangers. Other than those panels, I didn’t go to any others while I was there. If you’ve seen a lecture based panel, you’ve seen them all. The book fair is my favorite part of the conference because you get to network with so many presses from all over the country. It’s just a shame that for all the money you pay to go, you only get a tote bag. If I could pay a book fair only pass fee, I would gladly. Next year, I will find a way a table at the fair and/or actually make a panel but approach the panel concept from a fresh perspective.

For the first time, I co-hosted an offsite reading with Lindsay Hunter, a combination of Quickies and There Will Be Words called There Will Be Quickies and it was a blast working with her and Mary Hamilton. Most of the offsite readings are meat markets, shoving a lot of readers in your face and this format can be very hit-or-miss depending on your readers and your venue. The Quickies rules unmercifully make writers stick to a four minute time limit. Failure to adhere to this time limit gets you whistled off the stage. It was quite the breath of fresh air. I’m already planning another offsite show for 2013, hopefully working with Burrow Press, Specter Magazine, and NAP in putting it together, just not in the Quickies style.

I was in three offsite readings this year and I read fiction only, two stories from the latest collection (available through here), and then one as my Teen Paranormal Romance Novelist persona, J. J. Curry Ford. All of the readings were great and even though I got to read with Chloe Caldwell, Joseph Riippi, JA Tyler, and Daniel Nester, the Happy Dog Mom Lit Journal Reading was my favorite because it was incredibly talented writers so self-aware at what bad writing really is, all of that bad writing really shined.

Another big highlight was catching Amelia Gray and John Jodzio on Saturday, John especially. He’s twisted, brilliant, funny, and a wonderful reminder literary fiction doesn’t have to be all serious and full of dead babies and broken marriages, dying leaves falling everywhere.

I miss you all already.

The novel is now over 26,000 words. Holy shit.

I’m doing this deal where you can get three chapbooks from me for $17 while supplies last. The chapbooks are The Serial Rapist Sitting Behind You is a RobotHow Esmeralda Estrus Got Her Revenge, and We Will Celebrate Our Failures. They all come signed and I might treat you to a bonus or two. PayPal the cash over to senryujournalist at gmail dot com and I’ll get it right out to you.

This Saturday, I’ll be here. You should come see me.

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2012 AWP Schedule (As Told With Pictures)

This is a later reading at AWP. I'll be reading something from We Will Celebrate Our Failures.

Co-hosting this one. So awesome and wrong.

This continues my very long Friday.

This isn't so much a show, but a review PANK was nice enough to do for this e-chap. Click it to read. I am floored and honored by it.

(And I’ve got a new Sex Laws column here.)

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We Will Celebrate Our Failures At AWP

This is the official announcement of the mini-tour supporting my new fiction chapbook, We Will Celebrate Our Failures. All of the readings I’ll be in at AWP I’ll read pieces from the chapbook or some b-sides. My publisher is so hardcore about book design, he added a special touch to the cover.

Hmmm, what is that mysterious substance?

Should you buy a copy and send me proof and three words, I’ll write you a custom poem like for this buyer. Should you buy a copy from me in person, you’ll get the same thing. Click on the picture to get your copy. Supplies are limited.

The novel continues, slowly. I’ve written more flash outside of the novel, a little poetry, but this seems to be a bit of a fiction year thus far.

I have a little something up at (Short) Fiction Collective, which you can check out here. Also, my latest Sex Laws column is here. Finally, my interview with Duotrope regarding how I operate as the Falconer of Fiction at NAP is here.

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Happy Valentine’s Day

On this day of love, I give you so many gifts. The first and biggest is this.

This is a project I worked on in 2010 and 2011 and these are some of the stories that came from that project. It’s a semi linked collection of stories where relationships are destroyed in a fucked up version of pay it forward. To get an idea of what you’re in for, check out “Quality Control“. Please buy a copy and listen to The National’s High Violet album while reading it.

PANK was named as a literary heir by the New York Times. I’m floored and honored to be their Interviews Editor every issue. Also, shout out to Annalemma for making this list, as Annalemma was born in Orlando.

I have a poem in the debut issue of FeatherLit, which you can check out here.

I make a return to Safety Pin Review here.

Janey Smith gave a nice review to the first issue of Heavy Feather Review here.

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Location, Location, Location

Yesterday, I was supposed to teach a workshop on writing love poems. I got to the venue an hour early, set up, and my girlfriend and I waited for people to come. I left at 11:25 am after no one showed up.

There are several factors to consider, starting with the parking situation. There was some sort of event that caused parking to be a nightmare. However, any one, including us, could have made it there early enough without problems. Another factor to consider is the level of promotion of the workshop by the venue. They only started promoting it a few weeks out and did not get it listed in any of the papers for people to take notice. That should have been something I did as well, and I didn’t, even though I had a gut feeling the venue was not going to promote. Finally, the venue itself is a factor. Based on the show I went to last time involving poetry, there seemed more emphasis on music and doing things around the community instead of literature and while this is not a bad thing at all, it does create a barrier for any literary events or workshops that want to give that area of town and venue a crack. I would like to teach writing, as that is something I never have done before, but I will be looking for a venue that has demonstrated consistency and receptiveness toward literary events and workshops instead of an untested venue.

I’m not mad people didn’t show up, more disappointed. With these lessons learned, I hope I get a better turnout the next time I want to facilitate a workshop.

I did a flash essay for Heavy Feather Review‘s podcast, which you can listen to and read here.

There Will Be Words is this Tuesday. Hope to see you there. This is in a couple of weeks. If you’re at AWP, hope to see you there.

 

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Watching Every Breath You Take Is Boring

I just got back from participating in a fantastic edition of Culture & Cocktails. My fellow readers, Whitney Hamrick, Jocelyn Bartkevicius, and Nick Brown, killed it in various ways (I booked Nick for There Will Be Words in the future). I opened the night up with a set of all poems. Here they are.

  1. Hunt & Gather
  2. These Are Vows
  3. Quadriplegic
  4. Enrolling In the Human League
  5. Every Girl Is The End Of The World For You And Me

Ashley Inguanta did a tremendous job with the booking and it was a great, great event. If you’re in Orlando or will be in Orlando, go. The next one is on March 9.

Tomorrow, February 11, is my love poem workshop Our Hearts Are Power Ballads. Starts at 11 am. Bring your favorite love poem or lyrics to your favorite love song, paper, something to write with, and an open mind. It’s free. Hope to see you there, Orlando.

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Some Last Minute Shameless Promotion

Tomorrow, February 10, I’ll be performing here at 6pm $5 gets you in the venue and a glass of wine or beer. Pretty sweet deal.

Saturday, February 11, I am teaching here. Make sure to bring your favorite love poem or lyrics to your favorite love song, something to write with and something to write on.

Tuesday, February 14, There Will Be Words #10, which the Orlando Weekly picked as one of its Selections of the Week.

Here is where you can relive or finally experience the first of many 15 Views of Orlando release parties.

This is me reading “Enrolling In The Human League”, which is in the first issue of the Heavy Feather Review, which if you haven’t bought yet, you should. It’s a damn fine issue.

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