Tag Archives: 2012 AWP

Obligatory Post 2012 AWP Post

I’m sitting in my living room for the first time since Tuesday night and already, I hate the silence, that I lack wine and a store in which to get wine at this time of night.

My second year at AWP was good overall, partially because AWP was in one of my favorite cities (Chicago) and partially because I get to hang out with writers I’ve met and meet writers/editors I work with through the Internet and I met quite a few folks, including my bosses over at NAP and Specter Magazine. I also didn’t get to see some folks based on my schedule and budget at the conference and I hope to see them sooner rather than later.

What I dislike about AWP is that you don’t get what you pay for from an official perspective. You pay for AWP to gain access to the panels and the book fair. During the one and only panel I attended, I liveblogged about the concept of panels. I almost went into another panel about building literary communities on a dime then removed myself from it because I’ve done that in Orlando for eleven years and didn’t need to be lectured on it by strangers. Other than those panels, I didn’t go to any others while I was there. If you’ve seen a lecture based panel, you’ve seen them all. The book fair is my favorite part of the conference because you get to network with so many presses from all over the country. It’s just a shame that for all the money you pay to go, you only get a tote bag. If I could pay a book fair only pass fee, I would gladly. Next year, I will find a way a table at the fair and/or actually make a panel but approach the panel concept from a fresh perspective.

For the first time, I co-hosted an offsite reading with Lindsay Hunter, a combination of Quickies and There Will Be Words called There Will Be Quickies and it was a blast working with her and Mary Hamilton. Most of the offsite readings are meat markets, shoving a lot of readers in your face and this format can be very hit-or-miss depending on your readers and your venue. The Quickies rules unmercifully make writers stick to a four minute time limit. Failure to adhere to this time limit gets you whistled off the stage. It was quite the breath of fresh air. I’m already planning another offsite show for 2013, hopefully working with Burrow Press, Specter Magazine, and NAP in putting it together, just not in the Quickies style.

I was in three offsite readings this year and I read fiction only, two stories from the latest collection (available through here), and then one as my Teen Paranormal Romance Novelist persona, J. J. Curry Ford. All of the readings were great and even though I got to read with Chloe Caldwell, Joseph Riippi, JA Tyler, and Daniel Nester, the Happy Dog Mom Lit Journal Reading was my favorite because it was incredibly talented writers so self-aware at what bad writing really is, all of that bad writing really shined.

Another big highlight was catching Amelia Gray and John Jodzio on Saturday, John especially. He’s twisted, brilliant, funny, and a wonderful reminder literary fiction doesn’t have to be all serious and full of dead babies and broken marriages, dying leaves falling everywhere.

I miss you all already.

The novel is now over 26,000 words. Holy shit.

I’m doing this deal where you can get three chapbooks from me for $17 while supplies last. The chapbooks are The Serial Rapist Sitting Behind You is a RobotHow Esmeralda Estrus Got Her Revenge, and We Will Celebrate Our Failures. They all come signed and I might treat you to a bonus or two. PayPal the cash over to senryujournalist at gmail dot com and I’ll get it right out to you.

This Saturday, I’ll be here. You should come see me.

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We Will Celebrate Our Failures At AWP

This is the official announcement of the mini-tour supporting my new fiction chapbook, We Will Celebrate Our Failures. All of the readings I’ll be in at AWP I’ll read pieces from the chapbook or some b-sides. My publisher is so hardcore about book design, he added a special touch to the cover.

Hmmm, what is that mysterious substance?

Should you buy a copy and send me proof and three words, I’ll write you a custom poem like for this buyer. Should you buy a copy from me in person, you’ll get the same thing. Click on the picture to get your copy. Supplies are limited.

The novel continues, slowly. I’ve written more flash outside of the novel, a little poetry, but this seems to be a bit of a fiction year thus far.

I have a little something up at (Short) Fiction Collective, which you can check out here. Also, my latest Sex Laws column is here. Finally, my interview with Duotrope regarding how I operate as the Falconer of Fiction at NAP is here.

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Location, Location, Location

Yesterday, I was supposed to teach a workshop on writing love poems. I got to the venue an hour early, set up, and my girlfriend and I waited for people to come. I left at 11:25 am after no one showed up.

There are several factors to consider, starting with the parking situation. There was some sort of event that caused parking to be a nightmare. However, any one, including us, could have made it there early enough without problems. Another factor to consider is the level of promotion of the workshop by the venue. They only started promoting it a few weeks out and did not get it listed in any of the papers for people to take notice. That should have been something I did as well, and I didn’t, even though I had a gut feeling the venue was not going to promote. Finally, the venue itself is a factor. Based on the show I went to last time involving poetry, there seemed more emphasis on music and doing things around the community instead of literature and while this is not a bad thing at all, it does create a barrier for any literary events or workshops that want to give that area of town and venue a crack. I would like to teach writing, as that is something I never have done before, but I will be looking for a venue that has demonstrated consistency and receptiveness toward literary events and workshops instead of an untested venue.

I’m not mad people didn’t show up, more disappointed. With these lessons learned, I hope I get a better turnout the next time I want to facilitate a workshop.

I did a flash essay for Heavy Feather Review‘s podcast, which you can listen to and read here.

There Will Be Words is this Tuesday. Hope to see you there. This is in a couple of weeks. If you’re at AWP, hope to see you there.

 

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You’re No Bruce Vilanch

It took me a week, but I’m finally, finally used to my new glasses.

Upgrade complete.

My eyes were a little worse this time and I found out from the optometrist that I have astigmatism in my left eyes. I would like to thank my parents for the faulty genetics (and a tank like immune system) . It’s been awhile since I’ve returned to the heavy framed nerd look but I fell in love with these frames when I saw them. Once it got the girlfriend seal of approval, these were meant for me.

This week is a busy one for me. Here’s the rundown where you can find me and listen to me read, talk, drink.

This Friday I’m part of Maitland Poets & Writers Culture & Cocktails reading series over at Germaine Marvel building: Maitland Art Center 231 W. Packwood Ave., Maitland. $5 gets you admission and a glass of wine or a beer (which is a sweet deal). Doors at 6. Readings are at 7pm. I’m reading with Kirsten Holt, Jocelyn Bartkevicius, and Nicholas Brown.

This Saturday from 11 am to 1 pm, there’s this

This will be a lot of fun. Just to let you know, I’m not the lecture type. This will be a discussion that requires active participation. You’ll be expected to take a little risk, which is required to write any love poem.

Also, we’ve got There Will Be Words on Valentine’s Day, a great place for a first or last date.

A big thank you goes out to the incredibly talented editor/writer Simon Jacobs for being the first to take advantage of my special, which I will now shamelessly plug on my own.

For $20, you get an autographed copy of Dodging TrafficThe Serial Rapist Sitting Behind You is a Robot, and How Esmeralda Estrus Got Her Revenge and an original poem e-mailed to you. For $15, you get EsmeraldaRapist, a mystery gift and an original poem e-mailed to you. Either way, you can wire the money over to senryujournalist at gmail dot com. All proceeds go to keeping me well stocked in Vitamin Jameson in Chicago, or to cure my terminal illness of sobriety, depending how you want to take it.

Finally, the fine folk at The Rusty Nail published five of my poems, which you can check out here.

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Daddy Needs His Medicine

Last night was the 15 Views of Orlando release party at Urban Rethink. Allow me to show you one photo of the show.

The turnout for this show was absolutely awe inspiring, to see the venue packed to near fire hazard capacity for a book brings me great joy (I will however refrain from calling out the local poetry ‘community’ for not attending one of the most important nights in Orlando’s overall literary community). A beautiful night for a beautiful book. If you haven’t bought a copy, get one. There will be more release parties. Be on the look out for them.

Because of the current big project, I’m producing more poetry as of late. You can check out a poem of mine over at Ginger Piglet Press over here and also a poem of mine in the all poetry supplement of Stymie here.

I’ve decided that I need to raise some drinking money for AWP in four weeks and the best way to do that is offer you a hell of a deal.

For $20, you get an autographed copy of Dodging Traffic, The Serial Rapist Sitting Behind You is a Robot, and How Esmeralda Estrus Got Her Revenge and an original poem handwritten and signed. For $15, you get EsmeraldaRapist, a mystery gift and an original poem handwritten and signed. Either way, you can wire the money over to senryujournalist at gmail dot com. All proceeds go to keeping me well stocked in Vitamin Jameson in Chicago.

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Looking Back, Ahead

I’m not someone who revels in accomplishments. I allow a moment to recognize what I’ve done, then keep moving forward. I’ve done a lot this year. Let’s start from the most important.

1. Walking away from the Broken Speech Poetry Slam

This is the most important thing I did in 2011 as a writer and as a person. I did the slam for ten years and three months. Not a lot of people can say they ran a show for ten years, or five years, or even a year but I get to say that I did this and it was needed at the time for Orlando’s literary health. There were several influencing factors for finally ending it: my divorce, the 2010 team flopping really badly after a great run to semis in 2009, attendance, poets not really pushing themselves to be great any more, going to my first AWP conference. The final Grand Slam will be a show many will speak of for years to come, including the return of my ex-wife to host and three amazing rounds where everyone pulled out all the stops because they knew this was the end of something special. Winning the final Grand Slam was a huge surprise. Being on that stage one last time to say goodbye was hard but it had to be done. It was a good ten years. There are plenty of poetry nights now and that’s great and bad at the same time because poets from one night don’t migrate over to other nights and that’s why I…

2. Started There Will Be Words

AWP gave me a lot of good ideas. There Will Be Words was one of them. I came up with the idea while heading back from the conference with my conference buddy. Burrow Press came up with some additional ideas to mine when I pitched it to them and the results have been spectacular. Eight great shows, a combined show with Quickies! in Chicago this March during AWP 2012, and Orlando has a prominent showcase for prose instead of poetry. This confirms what I always knew about Orlando: if you build a good show, people who give a shit will come. I look forward to seeing this show pass my personal record of running a show for ten years and three months.

3. Bringing Literary Death Match to Orlando

AWP helped me meet the creator of Literary Death Match, which motivated me to work with Burrow Press to bring this show to Orlando and thanks to them, they did. So far, there’s been two great LDMs with the promise of more LDMs in Orlando. This is another step in the right direction for Orlando’s literary health.

4. Going to AWP

This was my first year in the conference after going to the National Poetry Slam for several years. I like AWP so much better on many levels (more talented writers at AWP than at Nationals for one). It allowed me to meet people I’ve only dealt with through e-mail, read in front of new audiences. AWP is where I got to see my first Literary Death Match and meet some talented local grad students that also helped get There Will Be Words started. I can’t wait to go in March 2012.

5. Wrote my first novella

When I asked HOUSEFIRE to put me down for their novella challenge, I had no idea what to expect. The longest story I wrote up to that point was “Retrieval“. Bodies Made of Smoke showed me that I could write longer forms of fiction, so much so that I’ve written two other novellas this year, including the latest one going out in installments through The Squawk Back. I might have finally built the muscle to go for a full novel in 2012. We’ll see.

6. Wrote non-fiction

I finally realized that I have experienced things that are interesting and worth writing about, like how my mom taught me how to put on a condom, how my mom is a bit of a Darwinist when it came to letting me pick my clothing, how much of a slut I have been, and spending 23 hours in New York City just to see The Cure. I know I have a lot more in me and I know I’ll do more interesting/crazy shit to write about.

7. Wrote poems not addressed to a specific woman

I’ve been a bit of a slut with poems since separating from my wife and I’ve done things I said I wouldn’t do, like writing a poem for someone just as an opening gambit, perhaps even getting it published so I get laid that much better. I refrained from writing poems about the women I was in a relationship with because I noticed a pattern of poems ruining relationships. One I did a good job with. The other, not so much (as you can read here and here). After the break up with my previous girlfriend, I listened to The Afghan Whigs album Gentlemen a lot, and I realized I identified with it so much I had to write poem for song interpretations from my own perspective. I found it Ampersand Books will publish it in 2012 under their Bloody Fine Chapbooks imprint. I did another project like that for Death Cab For Cutie’s Transatlanticism, which will come out in mid-2012 from Artistically Declined Press. I’ve realized that I can’t keep writing poems as opening gambits or as romantic gestures. I’ll still write poems, just not about women I’m interested in or dating or even broken up with.

8. Made it to the Write Bloody shortlist

This was a shocker. I’ve not been a National Poetry Slam semi-finalist or finalist or champion or any kind of champion in slam so when I saw my name on the Write Bloody shortlist, I was stunned. I wasn’t one of the cool kids in slam so the fact I made it that far just based on talent was validating. This kickstarted the final edit I needed to make to We Will Live Like Our Ghosts Will Live, which though Write Bloody passed on it, YesYes Books will put it out in 2013. I am going to try again in 2012 with something. We’ll see how it goes.

Honorable Mentions

2011 has been pretty good to me. Keep your tarps on, kids. I’m still gonna make a splash in 2012.

Have a good holiday.

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