Tagged with Burrow Press

Climbing A Mountain, Not Your Mom

Jason Behrends, all around awesome Chicago literary human, captured me reading “Just Do It” at Cinco De Awesome. Bask in the awkward silence.

Burrow Press was nice enough to let me do a recap about my experience in May’s The Encyclopedia Show. You can check that out here.

The next ten days are going to be crazy busy over here.

I’ll be in three out of the four shows Emotions Dance is putting on at the Fringe Festival. The show’s called Excerpts, showcasing their best work over the last year. I’m performing “Primer” and “Would You Like To Take A Survey?” while professional dancers dance to my words (and someone else’s music). You can catch me Friday at 9:30 pm, May 26 & May 28 at 8:00 pm at the free outdoor stage. Check out more details about the 20th Orlando Fringe Festival here.

May 29, there’s this.

Prepare for the smackdown.

Four literary heavy hitters, three celebrity judges, this is going to be a night you will never, ever forget. And the presale tickets are cheap ($5!). Click on the pic to get some.

June is looking to be a good month over here. I’ve got A Patchwork of Room Furnished by Mistakes coming out through deckfight press. What I am incredibly proud of is that my 10,000 word story was accepted by HOUSEFIRE and should be out digitally in June and later as a limited edition chapbook. It’s called Bodies Made of Smoke.

I’ve written semi-long form fiction before (here’s an example) but nothing like this. I’m not known for my planning with fiction. I leap head first and and ride the wave and see what happens. My only plan of attack was to write 500 words a day, four days out of the week to knock each section out. If I wrote more that day, I did it. But the goal was 500 words a day, four days a week. I also unpacked the story around a single concept and saw how that went. There were days where I was all “fuck you story” but I slapped myself out of it and continued writing (listening to Das Racist was also a huge help on those low days). The final result was incredibly rewarding and I hope you think so too when it comes out.

We Will Celebrate Our Failures has stalled. I’m not jaded or miserable enough to write more stories that involve breaking up people and I’m not willing to do something emotionally self-destructive to make myself miserable. I may compile what I have as a chapbook and see if it can win a contest or something. What I do have though is enough meat for a short story collection version of The Internet Is A Dangerous Place To Live. Between the 10k story and some others, I can shop around my first short story collection.

I’m pissed at Bon Iver for not coming to Orlando. Seriously, if The National and LCD Soundsystem could make it down here, so can you. The fact that their new song is gorgeous makes me angrier. My theory is that our governor (referred to as Governor Skeletor) is scaring all of this awesome music away with this Skeletorness. All this great new music this year, and no one wants to come to Florida. Fuck.

See you Friday, Orlando.

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Fiction Comes Alive!

Last night was the first installment of There Will Be Words and it was excellent. Great turnout, great readers, great sangria, from start to finish the show was most excellent and I’m looking forward to the next installment. I’m doing something special for the October show and starting to fill out the show for November. My goal is by October to announce open submissions for 2012 so we have open submissions and booked writers as well. I’m glad to have an awesome partnership Ryan Rivas and Jana Waring at Burrow Press. I have a feeling this event is going to do great things for Orlando.

(Note to my non-Florida writers who know me: if you know you are coming near Orlando on the second week of a given month, give me a heads up. I’ll probably book you).

My interview with Ben Tanzer is up and it came out really well. You can listen to it here.

Nanoism sprung a nice surprise on me today by accepting and publishing a piece of Twitter-fiction of mine here. It only took me fifteen months to make it back in (huzzah!)

I brought back a cold from Chicago. Sunday was the worst because it went from sore throat to full blown fever. I managed to break the fever before going back to work on Monday night. I know I won’t have my Wolverine-like constitution forever. I’ll enjoy being an emotional and physical tank while I can.

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So I’m 32 Now

Last night, Cinco de Awesome was awesome. Packed room, great readers, even sold a copy of The Serial Rapist Sitting Behind You is a Robot. It was one of the best readings I’ve ever been a part of. Later, Ben Tanzer interviewed me for his podcast outside of a bar in Wicker Park. Hopefully, it’ll be up on Sunday. Mason Johnson also said some nice things about Thursday’s Encyclopedia Show and Cinco de Awesome.

It is official, I will be in Orlando’s first ever Literary Death Match on May 29, pitted against Ryan Rivas, Gregory Sherl, and Ashley Inguanta. This is a tremendous step in the right direction of the literary health of Orlando. If you click on the link, you’ll see more details about the show and ticket prices.

This upcoming Tuesday is the first ever edition of There Will Be Words and the Orlando Weekly picked it as a Selection of the Week. It’s free to get in but there will be a limited edition chapbook for sale, where the proceeds will go to the readers and Burrow Press.

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Putting Things Into Context

I read on James Urbaniak’s LiveJournal that The National’s video for “Conversation 16″ premiered. This particular song means a lot to me as it came out in the middle of my impending divorce, especially this part:

I’m a confident liar
Had my head in the oven so you’d know where I’ll be
I’ll try to be more romantic
I want to believe in everything you believe
I was less than amazing
Do not know what all the troubles are for
Fall asleep in your branches
You’re the only thing I ever want anymore

Here’s the video.

I get why The National took this approach as they are a serious band and they wanted to be funny but the context of the song vs. the video is wrong, wrong, wrong. If it helps move albums, more power to them.

Speaking of context, Tangerine Press reviewed Dodging Traffic and interviewed me about the poems. This is the first reviewer that dug deeper and I liked what she came out with. You can check that out here.

I received two things in the mail yesterday from Ampersand Books:

This is the first anthology published by Ampersand Books and it has an all-star cast, including my poem “Why The Minotaur Remained A Virgin”. Click on the book to check it out.

My story, “Adam Gallari Dreams Of Pitching No Hitters”, is in this issue of The Ampersand Review. You can watch my reading of the story here. Click on the book to check out more of the issue. I’m the guest Poetry Editor for the next issue and the line up is going to be amazing.

The first There Will Be Words is completely booked and it is going to be excellent. I’m excited to start this new reading series with the fine, fine folks at Burrow Press. Read more about There Will Be Words here.

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The Angriest Penguin In The World Lives

There is this thing in slam called a signature poem where when people hear that poem, they know it is you. In 2003, mine was “The Angriest Penguin In The World”. As you’ll read and hear, I was a touch obsessed in revenge and my self-esteem issues. I have left the I’s in lower case to preserve the emotardness of the poem. Here you go.


the angriest penguin in the world

when i was born,
my feet didn’t point straight
like everyone elses.
my right foot pointed in a 45 degree angle
while the left pointed in a 135 degree angle
i didn’t walk,
i waddled.

it didn’t matter at first,
no one paid attention to the way i walked,
except family members who reminded me
to try and walk straight now and again
to alleviate the situation.

but then elementary school
reared its wided-eyed, toothy grinned
and sharpened tonuge facade
and that’s when the other kids noticed
the acute and obtuse shape of my walk
and started to quack
whenever i walked.

“quack quack quack quack quack”
the kids would say,
“hey! it’s duckwalk”
they would say.
“waddle for us, duckwalk.
give us a show.”
they would say.

and to me, this was insulting
because who wanted to be a duck,
with their webbed feet, waterproof feathers
and their migration habits?

i wanted to be a penguin.

penguins, on the outside,
don’t look like much.
they’re cuddly and cute.
they can’t fly
at least not in the air.
once they hit the water,
zoom zoom zoom
they are nature’s torpedos.
anyone can fly
but few can swim so gracefully
like the penguin.

and let’s not forget
that penguins know how
to lay the smackdown.
you saw Batman Returns didn’t you?

i don’t look like much on the outside,
but inside i am graceful and strong.

this penguin walkin motherfucker
gets his payback
everytime i run into a kid who used to call him
duckwalk
all grown up shopping in a supermarket
telling me they’ve been working
some shit ass job
and outside i offer my condolences
but inside, i laugh and tell myself
this is what happens when you fuck
with a penguin soul
asshole.

***

Sea Giraffe was nice enough to include my poem, “Dead White Men Tell Too Many Tales”, in their first wave. You can read it here.

Burrow Press and I are starting a prose only reading series called There Will Be Words.  The first one will be May 10 at Urban ReThink. The line up and details to be announced shortly. I am incredibly excited about this venture with these fine folks. We’re gonna do some good.

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There Will Be Fiction

On Wednesday, I went to this

Urban ReThink was the site of one of my more humbling moments as a first time author back when it was UrbanThink so I was afraid that those old gremlins were still there when I heard this was going down.

I’m incredibly glad to be so wrong.

The redesign of the space is wonderful and what confirmed for me that all the bad energy was exorcised was that the release party was packed. It made me tremendously proud of my hometown that so many people came to a book release party for a fiction collection.

About the collection itself: it is gorgeously put together from a design perspective and from a contributor perspective including Chris Heavener and fellow PANK contributor, Gene Albamonte (who I also got to meet). Burrow Press has brought their a-game. They give me incredible hope for the literary health of Orlando. Thank you Burrow Press for doing something to contribute to the literary scene in Orlando. Get your copy of Fragmentation here.

The Scrambler published two poems of mine, which you can read here and here. Also, Orange Alert picked up the audio of “The Kama Sutra of Hansel & Gretel” which is in my e-chapbook My Hands Are As Thick As Dreams. You can listen to this consistently awesome podcast here.

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Blowing Out Some Birthday Candles

Burrow Press was nice enough to let me write a guest post about the tenth anniversary of the Broken Speech Poetry Slam here.  Last night at Speakeasy when plugging the slam and its tenth anniversary show, the response was less than enthusiastic and my response back was essentially, “Seriously, fuck you guys. What have you done for ten years? Nothing.” I was half joking, half serious when I said it. It reminded me of the overall apathy that still permeates throughout Orlando about things other than local music. The fight goes on.

I’m going to cut back on my schedule of James Decatur posts to once a week since I’ve got more story ideas for We Will Celebrate Our Failures and I need that energy to get them out there.

First AWP conference in a little under two weeks. Starting to really get myself in fighting shape for the two off-site readings I’m in. I plan on two different sets of work and getting them on video, along with others at the readings. I must study the onsite events to see which ones I want to go to and which ones I can go sight seeing in lieu of going to. I am also cooking up some fun things to do for PANK (the new site design is beautiful) while I’m there involving interviews. The world will know what’s up my sleeve soon.

My latest contribution to For Every Year is up here.  If you haven’t had a chance yet, check out my free e-chap My Hands Are As Thick As Dreams. They are some of the fine examples of the types of love poems I can write for you if you take me up on my offer.

Things I have read and enjoyed lately: Amelia Gray’s AM/PM & The Museum of the Weird, the poems I’ve received from my contributor wishlist for Ampersand Review vol 7.

Things I can’t wait to read: Gregory Sherl’s chapbook from Dark Sky, PANK 5.

Things I enjoy listening to lately: Marc Maron’s WTF Podcast

Things I don’t do enough of: sleep

And here’s something that hasn’t found a home yet to commemorate the repeal of Healthcare Reform by the House.

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Right Under Our Noses

Burrow Press is in my backyard.  They are young, hungry, smart, informed about indie lit and this thrills me we’ve got an outfit like this Orlando.  They found me last week and they were nice enough to interview me.  You can check it out here. They’ve got big plans.  I can’t wait to see what they’ll do next.

Bury Me With It” was one of the stories featured in last Friday’s Orange Alert podcast. I came up with the idea of a personals site for widows and widowers while at a Frightened Rabbits concert a couple of months ago with Laura. It’s one of my favorites and I think it came through on the recording. You can listen to the entire podcast here. In fact, I recommend you subscribe to it. Orange Alert combines interesting music with good fiction and poetry. I haven’t heard a podcast like it.

I’m swinging and foul tipping or missing lately. It’s frustrating but it’s part of the game. It’s tough to burn both ends for long periods of time and it catches up to you. I’m looking forward to a very quiet Christmas and that might help recharge the batteries a bit.

I have five tracks left to record for the audio book of The Serial Rapist Sitting Behind You is a Robot.  This is “Tuberculosis“.


By the way, this and this make great Christmas presents.

Stay warm.

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