Tagged with Heavy Feather Review

Got A Fighter Jet I Can’t Fly

I work in the private sector and it’s because I work in the private sector, I take a very common sense approach to everything so when I get things in the mail like a flyer for the Palm Beach Poetry Festival next year and see how much they are charging for workshops ($725 if you qualify to participate, $350 just to hang out and listen in said workshop), I am staggered by the economics of this. While the workshop facilitators are quite qualified and are big names in the poetry game, I’m not sure paying that kind of money for a 16 hour workshop is good economics. Yet, the demand is there to where they can charge that amount and fill those slots, like when Elton John or Madonna charges hundreds of dollars for concert tickets because of their legacy.

It’s not just festivals like this that bother me. AWP charges everyone, even panelists (albeit a smaller amount) to come in and play to sit in on lectures and buy books. The National Poetry Slam provided competitors SWAG, gave access to all shows, and tickets to finals, well worth the $400-$500 for a team (which equates to about $100 per person for about five days of programming – a bargain). The only non-poetry slam related conference that seems to make any sense in terms of pricing and value is Conversations and Connections, which I’ll most likely attend in lieu of AWP next year. It seems incredibly practical.

Note: private industry has it’s share of strange economics as well. My field (corporate training) has a professional organization, the American Society of Training & Development (ASTD). I went to one of their mini-conferences six years ago and wasn’t convinced on how useful they would be to me. Their memberships fees and their conference fees ($1,100 to attend a conference if you are a member, $199 for a yearly membership) make AWP and the Palm Beach Poetry Festival look like bargains.

I’d like to facilitate a workshop and I would be pretty reasonable about my rates. If you want to hit me up for one, e-mail me and we’ll hash it out.

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I have copies of my latest chapbook, We’re Not In Kansas Anymore and I’m making an offer you shouldn’t refuse. To learn more about it, click here. If you are on Tumblr, let’s be Tumblr friends.

My latest installment of I Am Trying To Break Your Sex Laws is up. You should read it here and then submit a question.

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Here On Front Street

I’ve been feeling drag ass about life lately, infected with a consistent, low grade misery that hasn’t made a whole lot enjoyable. The last live concert I saw was at a wedding (and they was a very good cover band). I haven’t been genuinely inspired by art/lit since my reading with Vouched Atlanta in April. I need something to shake the doldrums out of me but I’m not sure what will do it.

It’s moments like this where writing keeps me sane. I just wrapped up the first draft of a Jesus Christ, Boy Detective novella/nephew, wrote another Jesus Christ, Boy Detective adventure of an alt lit cityscapes anthology, and some Porn For The Blind poems, along with my regular responsibilities with MonkeybicycleNAP, and my outgoing duties with PANK. I’m shopping around another poetry MS to some publishers here and there. However, the constant writing and working can’t be good, I know. Any suggestions y’all have on a recharge would be awesome.

I have a new chapbook out through Deadly Chaps, a new Jesus Christ, Boy Detective adventure called We’re Not In Kansas Anymore. It was a lot of fun to write and hopefully it’s a lot of fun for you to read. You can read it for free here and order a copy if you enjoyed what you read.

My first installment of I Am Trying To Break Your Sex Laws 2.0 is now up monthly at Heavy Feather Review, which you should read here.

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The City Is Dead Since You’ve Been Gone

The last five days, I went to New York City (Bushwick to be exact) for a friend’s wedding. This was the first time I have gone to New York without a significant other or stayed with a friend/family.

Thursday – I landed early, got to where I was staying and was rattled when I saw the neighborhood I was staying in. Learners in my training class shuddered when I mentioned I was staying in Bushwick and I understood why. The apartment itself was incredibly lovely and my host was very nice. I placed my stuff down and made the two hour journey to see my grandparents for the first time in two years. I made my way back, showered, changed, and headed out to Greenpoint where I hung out with a lot of people I haven’t seen in years. My best friend/groom and I had a chance to have one last drink together before we parted and I told him the most important lesson I learned from my failed marriage: don’t let the legal status of marriage change their relationship as it is today. In the cab going home, I noticed the guy didn’t turn on his meter at all and was navigating him back to my place. When he asked me for cash, I told him I didn’t have any and he turned on his meter while we were parked in front of where I was staying. Despite the bullshit move, I tipped him $5 since I saved about $10-$12 getting home. However, I did not notice until the next morning I lost my iPod Touch, making this the second Apple product I’ve lost in New York in the span of two years.

Friday – I have to redact most of the details of this night as it is written in man law when it comes to bachelor parties. What I’m allowed to show you is this USA vs. Soviet Union hockey game I played. I haven’t seen one of these things in a long time.

Also, I had my first, and last taste, of the Chicago chemical known as Malort. While it is easy going in, it leaves the taste of rimming Swamp Thing on your tongue for a long time.

Saturday – I haven’t seen a live Yankee game in over twenty years. My plan to drink as little as possible the night before to ensure I would make the early game and it worked. I was also glad that I had grandstand seats.

What I was not happy about was the Yankees hitting like shit that day. I left at the top of the eighth inning, knowing the Mariners pitching broke them that day. The final score: 1-0.

I got back to the apartment, changed, and headed out to the rehearsal dinner in Park Slope, where The Squid And The Whale was filmed. We had some amazing Italian food before the party broke down. We headed to the Wyeth hotel for drinks. The price of the cocktails were staggering, but the view was gorgeous.

Sunday – I picked up my suit from the cleaners, hung around the apartment for most of the day, then made my way to the wedding venue.

The groom, is a music journalist. The bride, went to school for music, and recently became an academic adviser for Julliard. They love music and the venue so it made sense for them to choose The Bellhouse to get married in. They got married on stage.

After, we had cocktails, dinner, and danced to a kick ass live band with a very specific playlist, including The National’s “Slow Show”, They Might Be Giants, “Birdhouse In Your Soul”, The Dismemberment Plan’s “The City”.

I had one sad bastard moment at the wedding, I’ll admit. Despite being five or six drinks in, when they played the original version of The Postal Service’s “Such Great Heights”, I lost it a little as the Iron & Wine cover was my second wedding dance song. Other than that moment, I enjoyed myself tremendously.

Monday – I awoke on the couch at 6:45 am, still fully dressed. I had no idea how I got home. I checked my wallet, my pockets, and nothing was lost. I looked at the door and saw it was locked, my set of keys hanging next to the door, my jacket hanging in the bedroom. I was frantic though, worried that I did something stupid at the tail end of the reception, but found out that I just walked out without saying goodbye, the nine bourbon/ginger beer cocktails and one glass of champagne putting my body on autopilot and getting me back from Williamsburg to Bushwick intact. Again, I am amazed the my blackout autopilot is that competent. It took me the entire day to recover. I will not be drinking for a bit because of that marathon.

And the whole not drinking thing sucks because I’m performing in an erotica show at The Peacock Room tomorrow/today at 9:00 pm. I’ll be reading a new poem. There will be burlesque dancers. More details here.

I have a new poem in Commas & Colons here.

I wrote a Jesus Christ, Boy Detective mystery/adventure just for xTx’s Supermodel Summer, which you should read here.

Finally, I have a flash fiction piece in the latest issue of the Heavy Feather Review, which you should buy here.

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Excuse Me While I Try To Break My Own Heart

I read “Reflections” last Saturday at LOL – Life Out Loud and it was a lot of fun (except for the strep throat I got later that night. I’m better now). You can watch me read it below.

I recovered just in time to read at There Will Be Madness, the first ever fiction slam at There Will Be Words. I tapped into my old friend TSRSBYIAR in the first two rounds, reading “Primer” and “Just Do It” but lost in the final round to Trevor Fraser after reading “Quality Control” from my latest chapbook, We Will Celebrate Our Failures. It was a lot of fun and am looking forward to doing this fiction slam format again next year.

My novella is coming out soon through HOUSEFIRE and the fine folks sent me a screen cap of the book trailer for Bodies Made of Smoke and it made me smile because it is from part of the book. If you read it while it was available online, you might recognize this.

Burn, baby, burn

Finally, Part 1 of Everything Will Be Ok is up. It was one of those rare AWP readings that had less than ten authors (and delicious meat smells). You can go listen to it here.

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Happy Valentine’s Day

On this day of love, I give you so many gifts. The first and biggest is this.

This is a project I worked on in 2010 and 2011 and these are some of the stories that came from that project. It’s a semi linked collection of stories where relationships are destroyed in a fucked up version of pay it forward. To get an idea of what you’re in for, check out “Quality Control“. Please buy a copy and listen to The National’s High Violet album while reading it.

PANK was named as a literary heir by the New York Times. I’m floored and honored to be their Interviews Editor every issue. Also, shout out to Annalemma for making this list, as Annalemma was born in Orlando.

I have a poem in the debut issue of FeatherLit, which you can check out here.

I make a return to Safety Pin Review here.

Janey Smith gave a nice review to the first issue of Heavy Feather Review here.

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Location, Location, Location

Yesterday, I was supposed to teach a workshop on writing love poems. I got to the venue an hour early, set up, and my girlfriend and I waited for people to come. I left at 11:25 am after no one showed up.

There are several factors to consider, starting with the parking situation. There was some sort of event that caused parking to be a nightmare. However, any one, including us, could have made it there early enough without problems. Another factor to consider is the level of promotion of the workshop by the venue. They only started promoting it a few weeks out and did not get it listed in any of the papers for people to take notice. That should have been something I did as well, and I didn’t, even though I had a gut feeling the venue was not going to promote. Finally, the venue itself is a factor. Based on the show I went to last time involving poetry, there seemed more emphasis on music and doing things around the community instead of literature and while this is not a bad thing at all, it does create a barrier for any literary events or workshops that want to give that area of town and venue a crack. I would like to teach writing, as that is something I never have done before, but I will be looking for a venue that has demonstrated consistency and receptiveness toward literary events and workshops instead of an untested venue.

I’m not mad people didn’t show up, more disappointed. With these lessons learned, I hope I get a better turnout the next time I want to facilitate a workshop.

I did a flash essay for Heavy Feather Review‘s podcast, which you can listen to and read here.

There Will Be Words is this Tuesday. Hope to see you there. This is in a couple of weeks. If you’re at AWP, hope to see you there.

 

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Some Last Minute Shameless Promotion

Tomorrow, February 10, I’ll be performing here at 6pm $5 gets you in the venue and a glass of wine or beer. Pretty sweet deal.

Saturday, February 11, I am teaching here. Make sure to bring your favorite love poem or lyrics to your favorite love song, something to write with and something to write on.

Tuesday, February 14, There Will Be Words #10, which the Orlando Weekly picked as one of its Selections of the Week.

Here is where you can relive or finally experience the first of many 15 Views of Orlando release parties.

This is me reading “Enrolling In The Human League”, which is in the first issue of the Heavy Feather Review, which if you haven’t bought yet, you should. It’s a damn fine issue.

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I’m Gonna Get a Kiss, Then I’m Gonna Get Away From Here

Heavy Feather Review‘s first issue debuted last Saturday. When I got my contributor’s copy and read the poems in them, I realized that I can’t let superstition deny the want to craft a good love poem for the person I’m with. I won’t expand on this here, because I’m going to also do something special for Heavy Feather Review regarding the matter. This will also give me better insight when I teach my workshop on February 11.

Short, Fast and Deadly reviewed Our Hearts Are Power Ballads. This is what they had to say:

“There’s necrosis in all of us,” writes J. Bradley in OUR HEARTS ARE POWER BALLADS, channeling the morose yet resigned monogamist in all of us. But as the hero of these sleekly compact poem explosions can attest, domesticity’s death dirge might not be incompatible with the seductive guitar riffs of an unburdened spirit: “I will not think of myself / in your arms as an autopsy / waiting to happen.” Can’t argue with that.

(You can watch the chapbook in its entirety here.)

The first huge literary event of 2012 in Orlando is coming on January 31. If you are in town, you should be here, seriously. I’ll be reading my story from the collection, “It’s A Hollywood Summer”.

I wish I had more to say.

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Building Some Hype

The fine folks at Heavy Feather Review interviewed me about my upcoming e-chapbook. It’s one of the best interviews I ever had the pleasure to participate in. You can check it out here.

Deckfight released a teaser of the e-chap, the poem “North/South”. You can check that out here.

Spent tonight editing my MS for Write Bloody. Did a lot of crap cutting and crying. I’m going to let it sit for a few days to recharge my batteries before taking another pass. Even if it isn’t picked, I’m proud of the new form it’s taken.

Got the proof for my Esmeralda chapbook and it looks so pretty. Ashley Inguanta is helping with the cover photo. I can’t wait to see what she comes up with.

Tomorrow, There Will Be Words. See you there.

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