Tagged with Roxane Gay

This Is For Fighting, This Is For Fun

Ronald Stowers was nice enough to record my poem during the slam I was in this past Tuesday. You can watch “The Genealogy of Irvine Welsh” below.

I’ve been working on my longest project yet and I don’t really have a deadline for it, taking it 500 or so words at a time. The current word count for it is about 15,540. Unlike some of the fiction I’ve written, I’m not mining anything from my life and surrounding it with out there concepts. I’ll be glad when I get the first draft done and start combing through it.

The project I’m currently working on spun out of a flash piece called From Jesus Christ, Boy Detective: Everything Must Be Slashed and WordPlaySound was nice enough to pick up the audio version (while red lightblubs picked up the text version). You can listen to it here and then I recommend listening to the rest of this podcast.

My boss over at PANK, Roxane Gay, wrote this incredible article about running her micropress Tiny Hardcore. Read it. You’ll learn a thing or fifteen.

I won’t even talk about the bullshit shut out of Drive. I enjoyed the book tremendously and am actually not mad how the movie revised the story to a degree. The movie is gorgeous and one of the few movies I have bought on the day it comes out on DVD. (There Will Be Blood is the other).

Next week starts a deluge of shows. Here they are, linked for your pleasure.

January 31 - 15 Views of Orlando Release Party

February 10 – Culture & Cocktails

February 11 – Our Hearts Are Power Ballads (Workshop on writing love poems)

February 14 – There Will Be Words #10

(All but the February 10th show is free)

Finally, you’ve got until January 30 to vote for the best of the first year of There Will Be Words. You can vote here.

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Monsters of Literature Project

In the last year or so, I’ve met the most talented, amazing writers.  The problem: you don’t know them and I think I have a way of changing that with what I call The Monsters of Literature project.

What is The Monsters of Literature?  Think of the rock festivals back in the 80s and 90s where you had a combination of epic talent, parings you will never see again in this lifetime (such as Bon Jovi & Metallica).  People paid (and still pay) money to see these acts because of how awesome they are.  Imagine that…with literature.

You’re probably thinking why would they pay to see us?  It’s one thing for someone to read your work in a magazine online or in-print.  The live experience is completely different.  You get to interact with the audience.  Your work sounds the way you want it to sound to a live audience.  You get to interact with people and rock faces off with your talking.  People will pay to see you (with the right promotion) and they will want a) you to succeed and b) to have a good time.

This project is starting small.  I have five writers in mind that I want to pair off and do a live show with where we use our collective literary might to change/ruin lives.  Here they are:

Matt DeBenedictis (we’re working on a show in May as we speak in his neck of the woods in Decatur)

Roxane Gay

David Erlewine

xTx (I have a mask design in mind for you to hide your true identity)

Rion Scott

(note: Cynthia Reeser is putting together something in June with a couple of other writers, including myself and that could turn into a monster show.)

(additional note: there are so many other writers I want to work with so please, don’t be offended if you aren’t on the list – I’m starting small with this project).

What I need from these writers on the list:

1. A venue that allows us to charge a door where we can split the profits.

2. Press contacts that I can research and help bombard for promoting our show.

3. Fearlessness in the face of strangers.

We can do this if we put our energy into it.  If Henry Rollins can talk for a living, we can write, perform our work, and get paid to do it, too.  Why high-five ourselves when we can knock down high-fives from strangers?  We can be heroes.  We can be monsters.

P.S.: My story, “Maladroit“, is up in Weirdyear.  Please check it out when you have a moment.

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Room 211

I got a great Valentine’s Day gift from xTx and Roxane Gay – an invite to Fictionaut.  Fictionaut is an invite-only site where writers post new and previously published stories and poems.  It’s inspired two new flash fiction pieces of mine, “What Happens In South America, Stays In South America” and “How To Make It In America“.  I feel privileged to be part of this salon.

After my business trip in Indiana, I hope to be off the road for six weeks until Richmond and Chicago on the first week of April.  I really could use the time off at home to regroup physically and financially.  The recharge will be good for me and the missus.

I have three poems up in the February issue of Word Riot here.  You should go here.

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